Season 4

COMING SOON!

Episode 1: “Speaking with Accents on Centre Stage” With Armenian Performance Artists From the Global Diaspora.

Guests: Award-winning international film and stage actress, Arsinee Khanjian and esteemed playwright, director, and stage actor, Hrant Alianak.

In this episode, our guests share their journeys as diasporic Armenians from Lebanon and Sudan, respectively, to reflect on how their distinct upbringings shape their Armenian storytelling. They discuss how diaspora challenges traditional notions of Armenianness, the role of accents as markers of otherness, and their shared history navigating Canada’s film and theatre scenes as young performance artists from the 1970s onward.

COMING SOON!

Episode 2: “Painting an Unfinished Portrait” With Armenian Visual Artists from the Global Diaspora

Guests: Chicago-based visual artist Jackie Kazarian, and Armenian-Dutch biodesigner and artist Shushanik Droshakiryan.

 In this episode, our guests explore how their art emerges from personal curiosities and lived experiences engaging with Armenian narratives, rather than representing a singular collective view. They reflect on how Armenian identity is a continuously reconstructed phenomenon that is shaped through their evolving relationships between art, homeland, and themselves across time and different mediums.

COMING SOON!

Episode 3: “Echoes in Eight Counts” With Armenian Dancers from the Global Diaspora

Guests: Preservationist and former curator of the Smithsonian Museum, Carolyn Rapkievian, and artistic director and choreographer, Sevag Avakian

In this episode, our guests reflect on their personal journeys and the evolution of Armenian dance across the diaspora. They explore efforts to preserve traditional forms alongside the emergence of new, diaspora-born dances, and how performance and teaching actively reshape Armenian historical memory. The conversation highlights dance as both a practice of preservation and celebration, one that carries history forward in exciting ways.

COMING SOON!

Episode 4: “Behind the Lens of Cultural Memory” With Armenian Filmmakers from the Global Diaspora

Guests: Emily Mkrtichian and Hasmik Movsisyan.

In this episode, our guests reflect on how their connections to Armenia have shifted over time, and how film becomes a way of holding onto and passing down memory. They discuss how storytelling has the power to reach people in ways that feel both personal and universal, transcending the boundaries of any singular identity. Along the way, they consider how culture is carried forward, and what it means, as filmmakers, to take on the responsibility of preserving and sharing those stories.

Hrant Alianak

Hrant Alianak (Writer/Director/Actor/Producer) made his debut as a writer in 1972 at Theatre Passe Muraille in Toronto with his play TANTRUMS. He is best known for his plays LUCKY STRIKE, THE BLUES and THE WALLS OF AFRICA which was nominated for 8 Dora Awards and received 3, including Best Production. Alianak started producing in 1992 and formed his company ALIANAK THEATRE PRODUCTIONS. Amongst the plays he has produced and directed, were several Armenian themed plays including A CROOKED MAN and BEAST ON THE MOON, starring Arsinee Khanjian. He has also completed two feature films, A TRIP TO THE ISLAND and BURNING, BURNING, both of which he wrote, directed and co-produced.

Arsinee Khanjian

Born in Lebanon to Armenian parents in Beirut, Khanjian has lived in Canada since 1975. Khanjian grew up speaking Armenian at home, Arabic and French in school. Her family moved to Montreal when she was seventeen, where she studied theatre at the Conservatoire Lasalle, earned her B.A. in Spanish and French from Concordia University, then subsequently graduated with a Masters in Political Science from University of Toronto. She has starred in numerous Canadian and European films (including The Lark Farm by the Taviani brothers and Ararat by Atom Egoyan), performed on stage  and has directed her own work in Berlin. In 2006 she was awarded the »Genie Award« for best actress Ararat and the Gemini Award previously for her role in the CBC production of More Tears in 1999.

Shushanik Droshakiryan

Shushanik Droshakiryan is an Armenian-Dutch biodesigner and artist based in
Amsterdam. Her creative journey began with traditional Armenian carpet weaving at the National Centre for Aesthetics in Yerevan, where the material and ornamental logic of Armenian carpets formed her artistic thinking. Today, that foundation drives her biodesign practice in which Armenian cultural heritage is not preserved but activated as regenerative design intelligence. Her biomaterial systems do not merely reference Armenian identity — they are rooted in it, drawing from the logic of Armenian landscape, material memory, and cultural form.

She is the founder of Venus in Fury, an Amsterdam-based biodesign lab, working at the intersection of material science, craft, and next-generation biomaterial systems. Her signature materials, SUF, a translucent seaweed-based bio-garment inspired by G.I. Gurdjieff, and ARTSAKH, a carbon-based bio-leather registered under EU trademark droshakiryan ®, each draw their identity from the Armenian land, memory, and heritage. Her surname carries historic significance: it means ‘a woman who holds the flag,’ referring to an ancestor who carried the Armenian flag into battle. Shushanik carries that legacy forward through her work.

Her work has been presented at Dutch Design Week 2024 and 2025 at Klokgebouw,
Eindhoven (where Dezeen featured the 2025 presentation); the Larnaca Biennale, and
Biodesign Festival, Cyprus 2023; Material District Utrecht 2025; Munich Fabric Start
2025 (Keyhouse: Sustainable Innovations) and Munich Fabric Start 2026 (Bluezone);
and a co-creation event with SoScience and PSL Paris.

Her seaweed-based biomaterial composite and method of production are currently
under a Dutch national patent application and in active development with Wageningen
University — positioning her material system within the European strategic mission to
replace petrochemical materials with bio-based alternatives at production scale.

Jackie Kazarian

Jackie Kazarian is a Chicago-based visual artist working primarily in painting, installation and video.  She received a BS in Zoology from Duke University and a MFA in Painting and Drawing from the School of the Art Institute of Chicago. She has held numerous solo exhibitions, including New York, Chicago, Miami, Spain, Syria and Kuwait. Her work is in many private and public collections, including Illinois State Museum, Rockford Art Museum, Metropolitan Pier and Exposition Authority, Chicago Public Library, and the United States Embassy, Armenia. In 2019, Jackie received the Lifetime Achievement Award from the Armenian Behavioral Science Association. She is a 2008 fellow of the Ellen Stone Belic Institute for the Study of Women & Gender in the Arts & Media at Columbia College Chicago and has served two tours as an art envoy for the U.S. State Department, presenting workshops, lectures and exhibitions in Kuwait and Syria. In 2015, Kazarian created a monumental painting to commemorate the 100-year anniversary of the Armenian genocide. 

Sevag Avakian

Sevag Avakian developed a passion for Armenian dance at a young age, growing up in a family deeply rooted in dance and cultural tradition. Beginning his training at the age of six, he was immersed in music and movement early on, a constant influence throughout his life. As he matured, his natural curiosity and dedication led him to independently study traditional Armenian folkloric dances, exploring their
techniques and cultural and historical significance.

He is now the Artistic Director and Choreographer of the Sassoun Dance Ensemble, established in 2004 under the auspices Toronto’s Holy Trinity Armenian Church by Reverend Archpriest Father Zareh Zargarian and now operating under the Canadian Armenian Community Services Centre (Barev Centre).

Over the past 22 years, the group has welcomed hundreds of members and presented annual performances featuring traditional and contemporary Armenian dances. The ensemble has performed at multicultural festivals, theatrical productions, and music videos, represented Armenian heritage at an NBA game, and appeared on major local stages including Dundas Square, the Canadian National Exhibition, and David Pecaut Square.

Internationally, the group has performed in Armenia, Argentina, Uruguay, Australia, and the United States, including New York and Washington, D.C., as part of the 2018 Smithsonian Folklife Festival. The ensemble has also performed with renowned Armenian artists; Aram Asatryan (2005), Raisa Mkrtchyan (2010), Inga & Anush (2012), Silva Hakobyan (2013), Ruben Sasuntsi (2014, 2019), Arpi (2018), Monika
Nazaryan (2018), and Lilit Hovhannisyan (2019).

In addition to his work with the Sassoun Dance Ensemble, Sevag leads workshops teaching Armenian traditional dances to both Armenian and non-Armenian participants, including programs with the Ontario Folk Dance Association and the Tapestry Folkdance Center in Minneapolis. Beyond dance, Sevag is a musician who began drumming at age ten and has built a collection of over 30 percussion instruments from Armenian, Arabic, Cuban, Peruvian, African, and Indian traditions. He performs with contemporary pop and traditional folk ensembles and regularly plays at cultural and family celebrations such as weddings, baptisms, engagements, and anniversaries.

Carolyn Rapkievian

Carolyn Okoomian Rapkievian has been researching, teaching, and performing dance in a professional capacity for more than 30 years.  She grew up dancing at Armenian family and social functions. Her directing highlights include the Washington D.C. Arev Armenian Dance Ensemble and the Arax Armenian Dance Ensemble.  Her performance experience includes AGBU’s Antranig Dance Ensemble in New York, and Dancefolk and the Palamakia (Greek) Dancers in Nashville.   She has studied Russian, Polish, and Hungarian dancing and continues to study ballet.  In addition to Armenian dance, she has taught character ballet and ballroom dancing for dance companies, universities, and public folk festivals.  She teaches Armenian dancing and international folk dancing with the Kotwica Band at monthly dances and at festivals in Maine.

Carolyn has held leadership positions in museums for over 50 years including 26 years at the Smithsonian’s National Museum of the American Indian.  She has lectured internationally about genocides, understanding history, and the politics of cultural acknowledgement in museums. In 2018 she curated the Armenian Dance Showcase at the Smithsonian Folklife Festival. She currently works to document and preserve historic Western Armenian village dances in collaboration with the Houshamadyan project: https://www.houshamadyan.org/themes/dance.html

Emily Mkrtichian

Emily Mkrtichian is an award-winning filmmaker and interdisciplinary artist whose work explores alternative archives and visionary futures across the SWANA region. Working across documentary, fiction, and expanded media, her practice is grounded in collaborative ethics and care-centered methodologies.
Her feature documentary There Was, There Was Not premiered at True/False Film Festival and went on to screen internationally, earning the Audience Award and Special Mention at the Mar del Plata International Film Festival, the FIPRESCI Prize at the Golden Apricot International Film Festival, and a North American release with Watermelon Pictures. Her earlier work has screened at festivals including Full Frame and BFI Flare.

Mkrtichian has been recognized as a Creative Capital awardee (2025), an LA Arts Activation Fund recipient, and a DocX Fellow at Duke University and is an alum of the Sundance Institute Mkrtichian’s projects center diasporic memory, intergenerational storytelling, and collective world-building. She is also a curator, educator, and facilitator.

Hasmik Movsisyan

Hasmik Movsisyan was born in Yerevan, Armenia, in 1991. At the age of 11, she moved with her family to St. Petersburg, Russia, where she grew up. She received a
medical degree from St. Petersburg State University, but after graduation, she
decided to pursue her true passion for filmmaking. Hasmik was accepted into the
Directing Department of the Gerasimov Institute of Cinematography (VGIK), where
she studied under the guidance of Alexander and Vladimir Kott and Anna Fenchenko
in the fiction film workshop.

During her time at VGIK, Hasmik’s films (Apnea 2019, Side by Side 2021, Harisa
2022) were recognized at various student film festivals and received numerous
awards. Her short film 250 KM, which originally began as a student project,
developed into a full-fledged independent film and went on to participate in more
than 40 international film festivals, earning around 20 awards. Among the most
significant:

● Athens International Film and Video Festival – Winner, 1st Prize Narrative
Short (Academy Awards Qualifying), USA, 2024
● Armenian National Film Academy – Anahit Award Winner, Armenia, 2024
● Best Short Film Amnesty International – Winner, Best Short Film, Italy, 2023

In 2025, Hasmik completed her Master’s degree in Film Directing at ESCAC (Escola
Superior de Cinema i Audiovisuals de Catalunya) in Spain, where she wrote and
directed her first European short film, Barceloneta.